Face A/B /sonde/ PERCEPTS004 "FACE A/B" is deep, textural exploration of these linkages. The A side setting up the exoskeleton of skanking morphology and the B side elaborating on the structure; allowing it to growing arms, legs, feet, claws, and antennae and move across the ocean. Melodies and timbres explode in the crucible of the echo chamber. A ghostly melodica figure appears and disappears just as quickly, only to reappear in another form a moment later, translated into a different tongue, in stuttering counterpoint to the thundering bass weight. The rhythm doubles, then triples, looks back and marches forward to zion. Truly a striking debut from this new artist. 12" US$9.99 Shipping US$3.50 Flat Rate

13 Tracks Gintas K PERCEPTS003 Gintas K's 13 Tracks is a example of the beauty that can be manufactured from sonic detritus and sounds usually labeled and cast away as ordinary: clicks, crackles, sine wave drones, and subtly strafed textures collide into a musical discourse on the aesthetics of post-techno. The ghosts of genre creep in from time to time; a gentle Eno-like ambiance populates the first half of "Ka as zinau", only to be subsumed by a cold, marching, minimalist rhythm halfway through. Bits of the rhythmic energy of jungle and even a few heavily abstracted guitars make an appearance as the album progresses. Gintas K shows remarkable ability for finding character in the simplest of sounds and building into them complex, shifting, magnificent structures. CD US$10 Shipping US$3.50 Flat Rate

WAR TELESEEN PERCEPTS002 "WAR" represents a maturation of the electronic dub sound he can be found developing on recent singles and compilation appearances.  The music further attempts to chart out post-rave electronic music as a site of revolution and experimentation, songs with overtly political titles such as "Work Will Not Set You Free" , an anarchist queering of the famous and fearsome axiom that adorned the gates of Auschwitz, mark that the abstraction of the music is not mere formal exercise but  a political act. Tracks like "Native Yard #133345" that look both towards roots reggae and minimal techno give the record a distinct future-shock, as does the continuous bed of noise and ambiance, electronic and otherwise that runs beneath "The Liberty Halls"(a title  that references both the IRA and Marcus Garvey's UNIA). This is the music of the mediated age, of full spectral dominance, of the never ending, undeclared  war. Listen to Native Yard 133345 5.5Mb Mp3 CD US$11 Shipping US$2.50 Flat Rate

"PAPER VOICE, SUFFERER" TELESEEN PERCEPTS001 Released in July 'O5 the is the first appearance on vinyl of New York electro-dub artist Teleseen. Pressed on clear red vinyl these two songs see Teleseen exorcising the last echoes of the jungle and gabba themes that characterized his early work and heading toward a more stripped down, spacious sound. 7in Vinyl US$5 Shipping US$2.50 Flat Rate